A Second Flowering

Lilly Lui wants women’s rights to bloom again as they did in the heady days following Independence. The sole female candidate in the upcoming Efate North bye-election, she has been entrusted by women throughout rural Efate to voice their concerns on the national stage.

[Originally published in the Vanuatu Daily Post’s Weekender Edition.]

Lilly Lui with one of her biggest fansA quiet revolution is taking place in North Efate.

Awareness of the rights of women in Vanuatu flowered briefly post-Independence thanks to the labours of eminent advocates such as Grace Molisa and Hilda Lini. They laboured continually to ensure that the neglected majority – Vanuatu’s women and children – were heard in the national dialogue.

Thanks to their generation, we have provincial and national Councils of Women, shelters in Vila and Santo and countless projects and services focused on improving conditions for women. To cap it all, over a decade of effort has finally given the Family Protection Act the force of law.

And yet, in spite of all this, women still face countless obstacles making themselves heard in daily life of the nation.

Lilly Lui wants women’s rights to bloom again as they did in the heady days following Independence. The sole female candidate in the upcoming Efate North bye-election, she has been entrusted by women throughout rural Efate to voice their concerns on the national stage.

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Copyright and the Social Contract

Since the arrival of the Internet, there’s been unceasing talk about the imminent demise of traditional publishing models (especially newspapers), the subversive effect of ‘free’ online content and the purported damage done by Peer to Peer ‘pirates’ sharing music, movies and other creative works. At the centre of all this debate over the imbalance that new technology has created between creator and consumer is the oft-ignored conclusion that copyright as a regime for encouraging creativity in modern society is simply unworkable on the Internet.

Pundits, lawyers and media distributors the world over continue fighting the tide, thinking they can shape the Internet to match their expectations concerning copyright. Instead, they should be shaping their expectations to match the Internet.

[This week’s Communications column for the Vanuatu Independent. It’s a somewhat fleshed out and more rounded version of this essay.]

Since the arrival of the Internet, there’s been unceasing talk about the imminent demise of traditional publishing models (especially newspapers), the subversive effect of ‘free’ online content and the purported damage done by Peer to Peer ‘pirates’ sharing music, movies and other creative works. At the centre of all this debate over the imbalance that new technology has created between creator and consumer is the oft-ignored conclusion that copyright as a regime for encouraging creativity in modern society is simply unworkable on the Internet.

Pundits, lawyers and media distributors the world over continue fighting the tide, thinking they can shape the Internet to match their expectations concerning copyright. Instead, they should be shaping their expectations to match the Internet.

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Parts of a Rumour

1

this is only evidence

the rattling that betrays
a flock of sparrows
in the branches of a barren shrub

gathered
and pressing the stems
like a small cold wind

the rattling that betrays
a cat in a dry rose bush

collected like parts of a rumour

2

there are no petals
on a wet black bough

no apparition to blend
these two mysteries

that I found your love without looking
is not your fault
and not mine

Creativity and the Social Contract

As a writer, photographer and generally creative person, I would like nothing better than an enforceable, predictable social contract that codifies the relationship between creator and society at large. But the fact of the matter is that in this day and age it’s just not reasonable to expect anything other than a rather ephemeral set of notions that rely on nothing more than the goodwill of the majority of the audience.

In short, I don’t think we really have any choice but to do what minstrels, painters, actors and countless other artists have done since time immemorial: Throw ourselves at the mercy of society and rely on the kindness of strangers to make a living out of a lifestyle. It’s often unjust and occasionally cruel, but I just don’t see a workable alternative.

Tangled up amidst all the talk about the imminent demise of newspapers, the subversive effect of Free, the purported damage done by Peer to Peer ‘leeches’ and various other riffs on the imbalance that new technology has created between creator and consumer is the often unexamined conclusion that copyright as a regime for encouraging creativity in modern society is simply unworkable on the Internet.

That leaves us with two options: We can continue to tinker with copyright, attempting to redefine fair use, to place reasonable penalties (or at least disincentives) on unauthorised copying… ultimately, to renegotiate the compromise that lies at the heart of the concept.

That’s a commendable, fundamentally reasonable approach that unfortunately ignores the fact that digital information is immune to copyright enforcement. The practical ‘right’ to make copies is the very essence of digital technology. Its usefulness is predicated on the fact that data is infinitely mutable and that copies cost as close to nothing as makes no difference. To pretend that we can place anything more than voluntary limits on this capability is dangerously naive.

Alternatively, we can scrap copyright, go back to first principles and examine in detail what the rights of the creator really are.

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Fibre Optics

[This week’s Communications column for the Vanuatu Independent.]

Last weekend’s announcement by Minister Rialuth Serge Vohor of an agreement to participate in the SPIN fibre-optic project had been met with cautious optimism from observers. While nobody doubts the desirability of having an undersea cable linking Vanuatu to the rest of the world, some questions remain.

The devil, as always, is in the details.

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Tit For Tat

Digicel seems to be swamped by its own success. Scarcely more than half a year after their launch, they reported that they had over 70,000 active accounts to TVL’s 30,000. Anecdotal evidence has that number is closer to 100,000 now.

As TVL has learned from bitter experience, maintaining a communications network in the conditions which Vanuatu imposes on its inhabitants is decidedly non-trivial. In spite of years of experience in similar circumstances in the Caribbean and Central America, Digicel seems to be learning the lesson anew.

To what purpose, then, did the decidedly soot-stained pot decide to begin denouncing the kettle’s tarnished nature? Surely it must have occurred to someone that their time might be better spent actually cleaning up their own act than pointing out the other’s mess?

[This week’s Communications column for the Vanuatu Independent.]

We’ve seen a lot of griping and moaning recently about – and by – our two telcos. The former is not really news in and of itself. The fact of the matter is that anyone relying on technology in Vanuatu will have ample cause to complain before very long. Human, logistical and environmental factors in Vanuatu conspire against even the best-intentioned, making high-tech businesses here a pale echo indeed of what one might see in Sydney or Auckland.

To see our two telcos descend to a juvenile level of petty and rather vindictive name-calling and insinuation, however, was surprising and not at all welcome.

On top of the all-too-familiar litany of complaints concerning mobile telephone costs and service levels, readers of the Daily Post this week witnessed a public dust-up of playground proportions between TVL and Digicel. If we’re to believe the two providers, a mobile user’s choice of providers is between an incompetent dinosaur and a dishonest fast dealer.

Neither depiction is accurate, useful or informative for people in Vanuatu. It leads one to wonder whether either of them really understands where they live. This undignified public display is an object lesson in how NOT to win friends and influence people in Vanuatu.

One thing is for certain: As far as the public is concerned, the post-liberalisation honeymoon is definitely over.

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